frauenkirche dresden reconstruction

Frauenkirche - HD footage, information and facts on Frauenkirche, also known as the Church of Our Lady. Archives still contained historical plans and horizontal projections that could be evaluated. The preliminary research included analyzing the existing data. reconstruct the Frauenkirche according to archeological reconstruction principles. It was his intention to place the sandstone structure into the city like a giant sculpture. Three basic forms of prefabricated vault blocks were laid on a falsework using the Gothic type of bond (two stretchers, one header in alternation). On February 13th 1945, 200 hundred years after the church was constructed, Dresden was bombed and completely destroyed, and along with it the magnificent Frauenkirche. The archaeological stocktaking method was elaborate and the latest technology was also used for assistance. A total of 2,700 m³ of sandstone had to be placed or laid, approximately 270 t of steel structures for the galleries erected, ties inserted, the lift shaft in staircase tower G built and all supply lines led from the central control rooms in the outer structure to the ground floor of the church building. The Dresden painter Christoph Wetzel interpreted the works of Giovanni-Battista Grones under difficult building site conditions. A better solution thus had to be found for laying work. The representatives of the foundation, the Bishop of the Protestant Church of Saxony Volker Kreß, the Minister-President of the Free State of Saxony Prof. Kurt Biedenkopf and the Lord-Mayor of Dresden Dr. Herbert Wagner were present at this ceremony on 27th May 1994. Stiftung Frauenkirche Dresden Georg-Treu-Platz 301067 Dresden, Tel. This work could only be carried out after the projecting arches above the oval windows behind the triangular gables had been finished. The peaceful revolution in 1989 and the Re-unification of Germany in 1990 brought about change also for Dresden’s Frauenkirche. 40,000 people gathered in the streets and squares around the Frauenkirche to listen. These mistakes had to be avoided in the rebuilding project. It was only thanks to help from many sides, and particularly from Technisches Hilfswerk Eisenach (disaster control team), that extensive damage to the Frauenkirche could be prevented. The actual rebuilding work began when the first stone was laid after all the rubble had been cleared according to archaeological principles. The ‘Frauenkirche Foundation Dresden e.V.’ actually started its work on 1st October 1992. A so-called altitude point network was defined in the vertical so that invariable altitude points could also be defined. The canopy was raised for the first time by 10.5 m between 6th to 8th August 1997. So-called laggings had to be designed for the many arches and vaults. The preservation committee in Dresden placed the site under historic protection in 1966. Efforts and proposals were brought in by professionals world wide. The inner cupola rested on these wide arcades. Dry construction workers were covering the tension ring, shafts for risers and building single plank walls. The ashlars were first laid on small spacer plates of lead to produce uniform joints. The reconstruction took place using only period photographs because no plans have been preserved. There were many doubts regarding the stability of this 12,200 ton heavy stone dome. This was preceded by a lot of careful planning. But it took 45 years for the realisation of this dream to become a feasible possibility. The Dresden Frauenkirche (Church of Our Lady) is considered an outstanding example of Protestant sacred architecture, featuring one of the largest domes in Europe. Special solutions which always required a proof of stability repeatedly had to be developed for both types of scaffolding due to the scale of the building project. A height of approximately 45 m had now been reached. On 20th February 1992, the Dresden city council consented to the rebuilding of the Frauenkirche. In 1726, the actual planning of the Frauenkirche began. The mound of rubble was initially divided into grid squares to allow a better orientation and to document the actual condition. Photo: wikimedia.org/Gryffidor. The laggings for the arches between the piers and for the inner and main dome were particularly demanding. up to below the dome batter) alone filled 12 trailers. Sandstone is the building material used for the Frauenkirche and many other buildings in Dresden and its surroundings. Work then concentrated on preparing the attachment of the lantern roof with its spire cross. The masonry of the foundation could be inspected and stabilized at the same time. Following completion of the paintings on the inner dome by Christoph Wetzel, the rotary platform could be removed and left space for the installation of the pews and organ. Since dome construction was a new engineering feat at this time, designers from the surrounding areas went to Rome to study St. Peter’s construction. The flood catastrophe in August also took its toll in the Frauenkirche. In addition the joint thickness and the mortar quality must be defined and complied with. The outer stonework, the spar-type frames, the staircases and the inner stonework reached the height of the window sills. A year later it was lifted to 33.50 m and then to 44 m for the last time in May 2000. It was certainly a very happy day when the pinnacle cross and its boss were unexpectedly found on 1st June 1993, even though they were greatly damaged. The building did not grow as fast in this and the next year since the amounts of sandstone in cubic meters increased per running metre and complicated laggings had to carry the newly-placed arches and vaults. 20,000 connecting pieces were needed to join the individual poles of the support and bearing structures of the main dome lagging. Artists, Architects, Engineers, Historians, Scientific Researchers, Socialists, and Conservationists all started taking an active part in the discussion and decision making process for the reconstruction of the Frauenkirche. Dresden's Frauenkirche … Due to the fate of the destruction and the successful reconstruction, the Dresden Frauenkirche has become a symbol of tolerance and peace worldwide. Baehr envisioned the church with a cubical base rising high above the houses surrounding it. An initial three-dimensional model was created based on the recovered data using the latest computer technology. 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